Half-Past Two Poem Lesson - U A Fanthorpe

- Year groups
- Secondary and Sixth Form, Years 10–12
- File type
- Microsoft PowerPoint
- Use
- Digital activity
- Subject
- Poetry, Literature, English
- Topic
- GCSE Poetry, Half-Past Two
- Resource types
- Lesson Plans, Teacher Tools
- Use
- Digital activity
From the author
About this resource
In the classroom
Teaching tips & learning objectives
Learning objectives
Identify and define literary devices used in the poem, including portmanteau, personification, and oxymoron.
Analyse how Fanthorpe's language and structure choices convey a child's confused perception of time.
Construct a PETAL (Point, Evidence, Technique, Analysis, Link) paragraph that supports a claim about the poem with textual evidence.
Evaluate the poem's tone and justify that evaluation using quotations from the text.
Teaching tips
Use the Think-Pair-Share starter about punishment and behaviour to activate prior thinking before revealing the poem's subject.
Have students underline emotive language directly on their own copy during the tone-analysis task before comparing to the slide's model answer.
Work through the stanza-by-stanza language questions in pairs, then regroup for the whole-class structure questions about stanza count, rhyme, and beat.
Assign the extended-response question on childhood and time perception as homework after the in-class PETAL paragraph practice.
Skills covered
Poetic device identification — students define and locate portmanteau words, personification, and oxymoron within the poem's stanzas.
Close textual analysis — students answer content, language, and structure questions tied to specific quoted lines from each stanza.
Analytical paragraph writing — students build a PETAL-structured paragraph using point, evidence, technique, analysis, and link.
Author context research — students learn about U.A. Fanthorpe's biography and how it may inform the poem's narrator.
Good to know
Questions teachers ask about this resource
Why does the poem repeat invented compound words such as "Gettinguptime" and "timeyouwereofftime" instead of using ordinary phrases?
The lesson frames these as portmanteau constructions that show the child narrator has absorbed adult ways of dividing the day into tasks without yet understanding formal clock time, so the invented words dramatize his confused, in-between grasp of time.
Why does the writer refer to the narrator in the third person even though the poem seems to recount the writer's own memory?
The lesson asks students to consider this as a deliberate distancing device, prompting discussion of who is really narrating the poem and why an adult writer might frame a childhood memory through a third-person child character.
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Resource details
Concepts & topics
Core concepts
Poetry analysis
Figurative language
GCSE English literature
PETAL paragraph structure
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